This is the sort of season we have come to expect from Langrée; robust, occasionally quirky or challenging, but filled with countless musical riches, both old – Beethoven’s 7th anyone? – and new, including numerous premieres and collaborations.
He was born his parents’ ninth child and ninth son. Despite an obvious propensity for boys, his parents did not have a boy’s name chosen when he was born. So the headline in the local Maysville paper read: “Unnamed boy makes baseball team for the McKays.”
Movers & Makers asked organizations within the nonprofit funding sector to introduce their “notables” to our readers, part of a new regular feature highlighting people making a difference in various sectors of Greater Cincinnati’s nonprofit community.
Sometime toward the beginning of the tapering-off of the Covid pandemic, going stir-crazy and wanting to get started on my retirement goals, I started doing volunteer delivery driving for La Soupe.
A local entrepreneur is about to begin selling off his massive visual art collection to benefit the careers of select Cincinnati artists. Learn more about Ramesh Malhotra.
I thought, when given this amazing chance to have a first-person column, I would be offering my opinion on a variety of subjects. I’ve got opinions. But that’s harder than it seems.
Perhaps it was inevitable that Moe and Jack Rouse’s names would assume the place of honor when the Playhouse in the Park opens its new mainstage theater on March 11.
When he entered Prospect House in 1995, John Earls felt rudderless. He’s come a long way since then. So far, in fact, that he recently took the helm of the East Price Hill-based residential drug and alcohol treatment center.
Advocates for victims of substance use disorder say that Kenton County in Northern Kentucky is the Silicon Valley of recovery.
Nate Bachhuber is one of a new breed of artistic planners in the world of classical music. He and a group of other orchestra-related people are responsible for programming entire Cincinnati Symphony seasons, a task previously left to music directors. Find out what’s changed and why…
