A week of openings and closings ahead, as some seasons wind down. Classic dance. Last chance theater. Two big openings at the CAC. An all-too rare performance by VAE. A Grammy winner closes out Xavier’s series. Handelian delights. And more…
This is the sort of season we have come to expect from Langrée; robust, occasionally quirky or challenging, but filled with countless musical riches, both old – Beethoven’s 7th anyone? – and new, including numerous premieres and collaborations.
Nate Bachhuber is one of a new breed of artistic planners in the world of classical music. He and a group of other orchestra-related people are responsible for programming entire Cincinnati Symphony seasons, a task previously left to music directors. Find out what’s changed and why…
The 2022-2023 Cincinnati Symphony Orchestra and Cincinnati Pops seasons represent a high point for the organizations after nearly two years of facing the challenges of the pandemic.
The year 2021 has been one of mixed blessings – greater freedoms and safety tempered by fits and starts and continued uncertainty. Still, there were things to relish and things to be grateful for, and we asked some of those featured recently in M&M to share their “favorite things” about Our Fair City from the past year.
If you can find a more diverse set of event recommendations for this week ahead, well… We do our best. And more importantly, kudos to those presenters putting these options in front of you. Truly impressive.
Cincinnati’s major performing arts organizations and venues have banded together to craft a coordinated policy regarding COVID-19.
The Cincinnati Symphony Orchestra and Pops will revive their summer concert traditions in 2021, after last year’s cancellations in the wake of the pandemic.
Holding out as long as it could, apparently, the Cincinnati Symphony Orchestra has been forced by COVID-19 to forego audience attendance this autumn in Music Hall.
The Cincinnati Symphony Orchestra and Cincinnati Pops today announced a new initiative, The Fanfare Project, inspired by Aaron Copland’s “Fanfare for the Common Man.”
